Amanda trained at The Webber Douglas Academy in London.
Theatre roles include: Alice in Florian Zeller’s The Lie, Pamela Peabody in Ken Ludwig’s Fox on the Fairway, Mimi in A.R. Gurney’s Black Tie, Charlotte Payne-Townshend in John Morogiello’s Engaging Shaw, Veronica Fairchild in Rich Orloff’s A Capital Affair, Camille in David Foley’s Deadly Murder, Liz in Alistair Beaton’s Feelgood and Patty in Arthur Miller’s The Last Yankee, all for Vienna’s English Theatre.
UK stage credits include Madame Hortense in Anouilh’s The Orchestra (Omnibus Theatre), Edna, Lynette Saxon and Arabella Lazenby in Ayckbourn’s trilogy Damsels in Distress, Mrs Sparsit in Stephen Jeffries’ Hard Times (Pitlochry Festival Theatre), Lady Loxfield in JB Priestley’s They Came to a City (Southwark Playhouse), Mary Titterington in the stage adaptation of James Kennaway’s epic Tunes of Glory (Middleground Theatre UK tour), Amanda in Noel Coward’s Private Lives, Susan in Mike Leigh’s Abigail’s Party (both for UKTT
), Anna in Patrick Marber’s Closer (London Classic Theatre Company) and Lampito in Germain Greer’s version of Lysistrata (BAC
For London Shakespeare’s Globe she performed scenes and speeches, playing Falstaff, Hermione, Horatio and Richard II, in All Places that the Eye of Heaven Visits, in Westminster Abbey. Most recently she played Lady Capulet in Romeo and Juliet in Dubrovnik.
She is over the moon to be back in Vienna.