by Arthur Miller
Fred’s last design for Vienna’s English Theatre was Old Wicked Songs (a co-production with Ensemble Theatre Company of Santa Barbara). Other recent designs include Sunlight (South Coast Repertory, Costa Mesa); Endgame, The Taming of the Shrew (The Cutting Ball Theatre, San Francisco); Cats Talk Back & Sub-Urban Stories (NYC Fringe Festival); Intimate Apparel (San Diego Rep); W.E.T. (Moxie Theatre); On Golden Pond, Bus Stop, Proof, Angel Street (Triad Stage); Ghosts, The Fastest Woman Alive, Dragons, Six Hands & The Night Watchman (Luna Stage); The Good Daughter, The Adjustment, Color of Flesh and Winterizing a Summer House (New Jersey Repertory Theatre); Fully Committed, Stones in His Pockets (What Exit? Theatre); The Grouch (The Shakespeare Theatre of New Jersey); Underneath the Lintel (Beowulf Alley); Peter Pan and Wendy (Prince Music Theatre, Philadelphia; and Serious Money (Yale Repertory Theatre). He has assisted scenographer Pamela Howard and designer Andrew Jackness.
Fred’s upcoming projects include A Year with Frog and Toad (South Coast Repertory, Costa Mesa); In the Continuim (Ensemble Theatre Company of Santa Barbara); and One Flew Over the Cuckoo’s Nest (Triad Stage).
Fred is currently a professor of scenic design at California State University, Fullerton . He is a recipient of the NEA/TCG Career Development Program for Designers and holds a M.F.A. from the Yale School of Drama and a B.A. from the University of Texas at Austin.